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7 South Asian films look for a break in Cannes

7 South Asian films look for a break in Cannes

7 South Asian films look for a break in Cannes

Six under-production documentaries and an all-set-to-roll fiction function from South Asia are wanting for manufacturing and distribution breakthroughs in pitching and mentoring periods coinciding with the 74th Cannes Film Festival. “Eka (Solo)”, the debut function of Kolkata-born, Mumbai-based Suman Sen, is in La Fabrique Cinema, an Institut Francais-sponsored mentoring programme for younger administrators.

(*7*) says Sen, who has been in the promoting business for 15 years.

“The film reflects the time I have lived in for the last couple of years: a time of hatred, intolerance and violence,” says Sen.

“Eka” hinges on a grand statue of the ”widespread man” about to be formally unveiled in Kolkata. A diabetic insurance coverage agent, a man on the verge of superannuation, seethes on the financial, political and tradition failures of town.

To register his protest, he stands immobile in entrance of the mammoth statue. His act of defiance sparks a worldwide motion.  

“I have a love-hate relationship with Kolkata,” says Sen, who moved to India”s monetary capital 5 years in the past. “I wanted to distance myself from the city I grew up in and view it objectively. The move to Mumbai has given me a new reflective lens to view Kolkata.”

“Eka”, an Indo-Bangladeshi-French enterprise backed by Arifur Rahman of Goopy Bagha Productions, is one in every of 10 tasks in La Fabrique Cinema.

Another South Asian La Fabrique choice is a number of award-winning Afghan filmmaker Sahra Mani”s documentary “Kabul Melody”, about two teenage ladies who face household opposition and Taliban threats as they pursue their ardour for music.

In her assertion of intent, Mani, who made the extensively applauded “A Thousand Girls Like Me” (2018), says, “Being a filmmaker in Afghanistan means being a social activist. In spite of it all, with ”Kabul Melody” I want to show hope and the emergence of free will among the women who will create Afghanistan”s future.”

A quartet of South Asian documentaries – one every from Afghanistan, Bangladesh, India and Nepal – is vying for the docs-in-progress awards of Cannes Docs 2021. These tasks, all in a complicated stage of manufacturing, are introduced by the International Film Initiative of Bangladesh.

Among the 4 is “Thirteen Destinations of a Traveller”, a movie by Kolkata-based Partha Das. It intertwines two journeys: one by 1000’s of Sufi pilgrims who march throughout miles and over days to proclaim their love for humanity, the opposite by a disabled, marginalised Muslim man battling bodily obstacles and social prejudice in search of happiness.

“Thirteen Destinations of a Traveller”, Das” first documentary function, is collectively produced by Bangladesh”s Mokhalesur Rahman Talukdar and India”s Soumya Mukhopadhyay.

The different three South Asian films in Cannes Docs 2021 are Hezbullah Sultani”s “Birds Street”, about a slim lane in Kabul lined with outlets promoting birds; Tahrima Khan”s “Munni”, which showcases the work of a former sufferer of kid marriage who launches an all-girls sports activities academy in Bangladesh; and Subina Shrestha”s “Devi”, the story of a former Nepalese guerrilla fighter and war-time rape survivor who now fights for her countrywomen.

Another Nepalese documentary, Rajan Kathet and Sunir Pandey”s “No Winter Holidays”, is one in every of 5 tasks in HAF Goes to Cannes. The Hong Kong Asian Film Financing Forum (HAF) is an initiative that helps a new era of filmmakers acquire entry to funding, co-production offers and advertising and marketing help on a international scale.

The logline of “No Winter Holidays”, a Nepal-South Korean co-production, reads: “Once married to the same man, two women in their 70s must forget the past and work together to look after an empty snow-bound village through the winter.” 

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