Brian Cox and Adele’s producer Paul Epworth discuss music and the cosmos
Brian Cox and Adele’s producer Paul Epworth discuss music and the cosmos

Media playback is unsupported in your gadget

Media captionPaul Epworth and Brian Cox discuss zero-gravity and house exploration

Paul Epworth is behind a few of the largest pop information of the final 20 years, from Adele’s Rolling in the Deep to Florence and the Machine’s Rabbit Heart (Raise It Up).

Along the approach he is labored with Rihanna, Stormzy, Sir Paul McCartney, Coldplay and U2 – and he received an Oscar for co-writing the Bond theme Skyfall.

But now, after years behind the scenes, the producer is releasing his first solo album. Voyager, a journey into deep house, fuses influences from traditional sci-fi films along with his love of musical explorers like David Bowie, George Clinton, Wendy Carlos and Jean-Michel Jarre.

“It’s a sort of ’70s space concept album, which is a bit of a cliché as a producer – to make something that ostentatious and overblown,” he instructed BBC News.

“But I’ve tried to frame it in a modern way, so I’ve got some great singers and rappers on it.”

The file sees visitor vocals from the likes of Jay Electronica, Ty Dolla $ign, Vince Staples, Lianne La Havas and Kool Keith. But, extra importantly, it allowed Epworth to indulge his ardour for house journey and astrophysics – in addition to a behavior for accumulating historical, analogue synths at his studio in London’s Crouch End.

He traces his curiosity in science again to his father’s work in creating optical fibres. Yet he stays endlessly interested by life, the universe and every little thing.

To have fun the file’s launch, Epworth attached with Professor Brian Cox – the distinguished physicist and former keyboard participant for ’90s dance act D:Ream – to ask a few of the questions that occurred to him whereas making the album.

Paul Epworth: When I started engaged on a file about house, little did I feel I’d be sitting right here with you. Obviously you began in music as properly, so what prompted you to make that shift into this love of the cosmos and astrophysics?

Brian Cox: To be sincere, my first curiosity was astronomy. As far again as I can bear in mind. I simply preferred the stars.

I’ve thought of it rather a lot – what was it that made a seven-year-old change into all for stars? And I suppose it goes all the approach again to wanting ahead to Christmas once you’re six years previous… and I feel I started to affiliate it with the constellations. My dad as soon as stated to me ‘There’s Orion, it is the best constellation to see.’ And I seen that it was in the autumn and the winter when I’d begin seeing Orion over our again backyard.

But I additionally bear in mind actually vividly Star Wars and Star Trek basically. So I additionally preferred science fiction for some motive and I conflated all of it collectively. Space grew to become this concept, which was half escapism, half Star Wars [and] half astronomy. Music was nearly a distraction!

What is the connection for you between music and the cosmos? Is there a chunk of music that brings the two collectively?

Vangelis’s theme for Carl Sagan’s Cosmos. To this present day, when that music begins, it is a shiver. It takes me proper again to being 11 years previous and the sky. It is basically highly effective.

I’ve really been concerned in the previous few years with some makes an attempt to match classical music to the concepts which are raised in astronomy and cosmology. We stay in a doubtlessly infinite universe which, to me, raises questions on our mortality about our fragility.

What does it imply to stay these small, finite and in some sense insignificant lives on this doubtlessly everlasting and doubtlessly infinite universe? Those are emotional questions, they’re deeply human questions, and they’re questions which have motivated an excessive amount of artwork and music.

I used to be studying a e-book lately by a man referred to as Itzhak Bentov referred to as Stalking the Wild Pendulum, which is about the mechanics of consciousness. He talks about all matter vibrating – and in fact vibration is the approach each musical instrument generates noise. It received me occupied with how all these items match collectively…

There’s an attention-grabbing level there, which is that music is a product of consciousness and intelligence. And if you concentrate on what we’re – how it may be that some atoms which were round since the Big Bang… basically be capable of begin considering and create music?

That’s a outstanding factor. I feel it was Richard Feynman who stated “Human beings are atoms, that can contemplate atom.” And a part of these atoms’ response to this outstanding phenomenon is to make music as a part of the exploration of what which means. I discover that outstanding.

There’s a idea that the universe is definitely formed like a doughnut. What are your ideas on that?

The level is we do not know. All we are able to observe about the universe is the bit we are able to see, which is undoubtedly a small patch of what exists. At the second it is simply over 90 billion gentle years throughout, so it is a huge bit, [and] that bit is flat, so far as we are able to inform.

But that is most likely like saying “I’ve explored the region around my house and it’s flat.” And it is flat, even when you stay on an enormous hill, as a result of the curvature of the world is way greater than the area round your home. That’s most likely what the universe is like.

It’s nearly incomprehensible, the scale of some of these things.

The distances… I imply, even the closest huge galaxy to us is Andromeda which we are able to see with the bare eye, if there is no moon and it’s extremely darkish. And the gentle that enters your eye took two million years to journey to Earth. It’s a outstanding feeling when you understand that. Just to suppose, when these photons set off on their journey, there have been no people on the earth. We hadn’t developed.

This is why music and artwork is useful as a result of I can say these sentences and trot out these phrases, however how an individual reacts to that’s… It’s a posh, private factor. How do you are feeling about the concept that we have been in a sea of [stars] and we are able to see two trillion galaxies? How does that make you are feeling? I do not know the way that makes me really feel really.

Image copyright
Getty Images

Image caption

Epworth and Adele received Oscars in 2013 for composing the theme to Skyfall

That’s why it is so inspiring as a result of there’s infinite angles to it. As you have understood extra about the cosmos, how has your relationship with music modified?

It’s broadened, I feel. When I first began moving into music I received Enola Gay by OMD and Hazel O’Connor’s Eighth Day and I received into Kraftwerk. But over the final 10 to fifteen years I’ve actually received launched to a few of the nice classical music from the flip of the twentieth Century, and you discover that elevated harmonic complexity and richness.

I did a live performance really with the BBC, about Holst’s The Planets, which all people listens to in school. It’s nearly change into a pop traditional now, however really at the time it was surprising harmonically and in the approach that it is orchestrated. And when you strip away that familiarity, you realise that it is a super achievement. So I like seeking out that complexity.

It’s attention-grabbing you say that, as a result of it is one thing I [discovered] whereas making this file. Maybe it is people attempting to recreate the complexity of the night time sky by some means inside a musical type.

It’s a very good analogy really, as a result of Western music has received fairly a restricted scale. There’s simply the [notes on a] piano keyboard and that is it. But from these quite simple guidelines, the complexity is nearly limitless. And that is an analogy for, I feel, the approach that we see the the Universe.

So when you have a look at it now, 13.8 billion years after the Big Bang, it is tremendously complicated – however the legal guidelines of nature that that underpin that seem, as we glance deeper and deeper, to be easy.

Media playback is unsupported in your gadget

Media captionIs the universe a hologram?

I learn this wonderful Neil deGrasse Tyson quote about how the particles in our our bodies transfer at the velocity of sunshine, and clearly as you get nearer to the velocity of sunshine time slows down. So are the particles in our our bodies occupying the identical place and time as they have been in the Big Bang?

Yeah, that is true. If you are taking the path of a photon that was launched shortly after the Big Bang, and has travelled throughout the universe at the velocity of sunshine for 13.8 billion years or so, from our perspective – and say you’d carried a clock with you – how a lot time would you may have skilled as a photon? Then you are proper, the reply is zero.

That’s certainly one of the radical issues about physics and cosmology – it forces us into these seemingly extraordinarily counterintuitive positions.

Image copyright
Paul Epworth

Image caption

Epworth has been named producer of the yr thrice at the Brit Awards

Do you suppose new developments like quantum computing are going to make it simpler for us to crack a few of these puzzles?

Yes! Quantum computing has been a factor for a very long time – that simply in precept we might construct these computer systems which are much more highly effective than something that we are able to construct out of silicon. And harnessing that energy is one thing that we’re nearly capable of do now. We are constructing the first quantum computer systems and they’re actually primitive – they’re like an abacus nearly. But it did not take as lengthy to go from the first computer systems in the ’40s to an iPhone or a Samsung.

And there is a suggestion that these machines will be capable of simulate nature, way more exactly than we are able to at the second, as a result of all nature behaves in a quantum mechanical approach. So we’ll be capable of discover locations we will not go and [find out things like] what occurs past the occasion horizon of a black gap?

Do you establish with house as a religious assemble?

I by no means know what that phrase means – but it surely’s actually true [space] generates profound feelings. You’ve received to be in awe about the existence of the universe as a complete, and our existence inside it. You’re actually lacking the level when you’re not astonished by that.

So, to return again to the music aspect of it: Life on Mars [by David Bowie] or Moon Safari [by Air]?

I’ve to say Life on Mars, as a result of Hunky Dory is my favorite album. I really like Rick Wakeman’s piano taking part in on Life on Mars. If you are a musician and you attempt to play Life on Mars you realise that, whereas a few of it is fairly an ordinary chord sequence – I feel it is really the identical as My Way – a few of it’s extremely uncommon and simply exhibits you what instinctive genius Bowie was. What a author. I really like the entire album – though I really like Air too.

Which do suppose you may do first, go to Mars or have a safari on the moon?

I feel the common individual will get the likelihood to have a safari on the moon earlier than they get to go to Mars. But I feel somebody would possibly go to Mars earlier than we are able to all have a moon safari.

Would you go?

I get requested that rather a lot. I feel you must have the proper stuff – and I’m unsure I’ve the proper stuff.

Follow us on Facebook, or on Twitter @BBCNewsEnts. If you may have a narrative suggestion e-mail